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While Surrealism became unfashionable in Europe in the 1930s, it enjoyed increasing popularity across the Atlantic at the same time. Surrealism USa, the catalogue to the exhibition at the National Academy of Design, Surrealism USA, traces the history of this movement in the United States from the 1930s to the 1950s by examining its manifestations throughout the country--from Social Surrealism and California Post-Surrealism to Magic Realism and the beginning of Abstract Expressionism. It chronicles the wide influence of Dal' on American art, the Surrealists' response to war and fascism, and the relationship between Surrealism and abstract art. With over 100 paintings, sculptures, prints, and drawings, this definitive survey brings together the work of American artists like Joseph Cornell, Peter Blume, Kay Sage, Isamu Noguchi, Arshile Gorky, and Jackson Pollock--with that of Europeans in exile during World War II, including Salvador Dal', Yves Tanguy, Andra Masson, and Max Ernst.

Foreword

Acknowledgments

Lenders to the Exhibition

Introduction

Salvador Dali in America：The Rise and FaII of an Arch．Surrealist

Surrealism as a Weapon

American Surrealism outside of New York：Membership Open

A Tale of Two Earrings：Surrealism and Abstraction，1930-1947

Surrealism and Abstract Expressionism：From Psychic to Plastic Automatism

Returns of the Repressed：The Legacy of Surrealism in American Art

P LAT ES

Chronology of Surrealism in the United States，1931-1950

Exhibition Checklist

Selected Bibliography

Photograph Credits

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