拍摄者第3版用摄像机讲故事【正版书籍 无忧售后】 下载 pdf 百度网盘 epub 免费 2025 电子版 mobi 在线

《拍摄者》第3版中的新内容如下：

立体拍摄技术：拍摄和制作立体内容的基础知识，以简单集成式立体摄录一体机为主。

数码单反拍摄技术：如何让这种大传感器摄像机在尽可能少的代价下获取到zui好的图像。

后期图像调整，数字滤镜、稳定器。

输出节目为Web或DVD。

思考拍摄者的职业前景——如何鉴别和获取理想的工作，如何与自大狂合作。

问答和复习内容——在每章结束后加入问答和复习内容。

无论你使用的是复杂的4K摄影机、大尺寸传感器数码单反、还是iPhone，《拍摄者》第3版中的内容都会让你受益匪浅，它能帮你把自己的设备性能zui大化，并提升你的故事讲述技巧。

章　拍摄者的视角?..........................................................................?11.1　观点?...........................................................................................................21.2　不再追逐彩虹?............................................................................................31.3　学会身兼数职?............................................................................................41.4　掌握专业技能?............................................................................................61.5　新观念?.......................................................................................................81.6　现在人人都是拍摄者?..................................................................................81.7　雇用你的客户?............................................................................................91.8　你已经拥有足够的能力?............................................................................10第二章　让我给你讲个故事?..................................................................?112.1　如何才能把故事讲好？?............................................................................132.2　清楚自己影片的类型并确保观众们也知道?...............................................132.3　你的海报什么样？?...................................................................................152.4　了解自己的海报简述文字?........................................................................162.5　积极面对条件限制?...................................................................................172.6　电影成功的原因各异?................................................................................182.7　你的相对优势?..........................................................................................182.8　限制你的取景?..........................................................................................192.9　了解自己摄影机的动态范围?.....................................................................202.10　在魔幻时刻拍摄?.....................................................................................212.11　真实性很重要?........................................................................................212.12　故事永不停歇?........................................................................................222.13　职业道德很重要?.....................................................................................23第三章　用镜头讲故事?.......................................................................?253.1　现在对作品的要求仍然很高?.....................................................................253.2　给世界加个框?..........................................................................................263.3　排除，排除，排除！?................................................................................273.4　让观众们受点儿苦?...................................................................................283.5　独特的视角?..............................................................................................323.6　模糊、隐藏和遮挡?...................................................................................333.7　关于透视?..................................................................................................343.8　箱式梁桥?..................................................................................................363.9　三分法?.....................................................................................................373.10　黄金画幅比?............................................................................................393.11　引起不适?................................................................................................393.12　拍摄的地方是什么类型？?......................................................................403.13　拥抱经典理论?........................................................................................413.14　手艺很重要?............................................................................................433.15　用特写讲故事?........................................................................................443.16　迂回出击?................................................................................................463.17　保持拍摄尺寸一致性?..............................................................................463.18　视线的力量?............................................................................................473.19　拍摄不完美的对象?.................................................................................483.20　故事里的故事?........................................................................................493.21　学会用背景讲故事?.................................................................................503.22　我们都是说谎的骗子?..............................................................................513.23　弄清楚自己想要什么?..............................................................................523.24　与自我的人一起工作?......................................................................54第四章　摄影师的工具箱?....................................................................?574.1　你有很多选择?..........................................................................................574.2　摄像机的变革?..........................................................................................584.3　扫描方式的选择?.......................................................................................614.4　2K、4K，以及更高的分辨率?....................................................................634.5　努力突破技术局限?...................................................................................644.6　了解你需要的知识?...................................................................................654.7　技术问题当然重要?...................................................................................664.8　世界的本质?..............................................................................................664.9　脑中的处理器?..........................................................................................674.10　让我们体验一下模拟?..............................................................................674.11　改善数字记录的质量?..............................................................................684.12　一些小知识?............................................................................................694.13　10-bit?工作流程?....................................................................................714.14　你的摄影机符合“10?分钟法则”吗？?...................................................754.15　了解传感器?............................................................................................774.16　在某种程度上，传感器尺寸很重要?........................................................784.17　分辨率的诡计?........................................................................................794.18　人类感知分辨率的极限?..........................................................................814.19　这种数字游戏接近尾声了吗？?...............................................................814.20　网格里的像素?........................................................................................824.21　三片式传感器VS?单片式传感器?.............................................................834.22　为什么要压缩？?.....................................................................................844.23　出于实际考虑?........................................................................................854.24　冗余，冗余?............................................................................................864.25　你不会错过那些你看不见的东西?............................................................874.26　帧间压缩与帧内压缩?..............................................................................884.27　选择帧速率?............................................................................................904.28　为什么帧频有些不靠谱—是24p?但又不是24p?..................................914.29　24p?的种种好处?.....................................................................................934.30　现在你能拍摄24p?了?.............................................................................934.31　如果你依然喜欢SD?标清?.......................................................................954.32　注意了，落伍者们！?..............................................................................954.33　曾几何时?................................................................................................96第五章　用数码单反DSLR?讲故事?......................................................?995.1　性能的问题?..............................................................................................995.2　它并不是摄像机?.....................................................................................1005.3　不只是低光照能力?.................................................................................1005.4　负荷削减?................................................................................................1015.5　参数设置?................................................................................................1035.6　果冻效应?................................................................................................1045.7　浅景深：是好事还是坏事？?...................................................................1055.8　操控方面的挑战?.....................................................................................1065.9　监看与回放?............................................................................................1075.10　声音功能不健全?...................................................................................1085.11　开始工作?..............................................................................................110第六章　观察世界的窗口?...................................................................?1136.1　控制画面空间?........................................................................................1146.2　是否需要讨好拍摄对象?..........................................................................1156.3　把创作工具用到极致?..............................................................................1156.4　推拉变焦拍摄?........................................................................................1176.5　警惕可疑的标称值?.................................................................................1186.6　光学变焦VS?数码变焦?...........................................................................1206.7　更广、更远?............................................................................................1216.8　低档镜头的现状?.....................................................................................1226.9　为何廉价的镜头看起来档次低？?............................................................1246.10　对小光孔说不?......................................................................................1256.11　为什么一体式摄像机通常能拍出更好的画面?........................................1256.12　色像差补偿?..........................................................................................1266.13　试着和你的普通镜头和平相处?.............................................................1266.14　找到镜头的性能区间?....................................................................1276.15　不靠谱的对焦环和变焦环?....................................................................1296.16　电影镜头?..............................................................................................1296.17　诱惑力和纠结的根源?............................................................................1306.18　过大的景深?..........................................................................................1306.19　镜头适配器?..........................................................................................132第七章　立体拍摄者?.........................................................................?1337.1　3D?立体的本质?.......................................................................................1337.2　立体是一种技术障眼法?..........................................................................1357.3　深度线索?................................................................................................1367.4　平面视觉深度线索?.................................................................................1377.5　立体视觉深度线索?.................................................................................1397.6　轴距VS?瞳距?.........................................................................................1417.7　汇聚面应该设置在哪儿？?......................................................................1437.8　立体摄像机设置?.....................................................................................1457.9　避免“耐药性”问题?..............................................................................1467.10　屏幕尺寸至关重要?...............................................................................1487.11　正确获得视差?......................................................................................1497.12　窗口干涉?..............................................................................................1507.13　关于立体故事的思考?............................................................................1507.14　圆度因素?..............................................................................................1517.15　抛弃的2D?拍摄方式?.....................................................................1527.16　裸眼立体是大势所趋?............................................................................1547.17　立体就此止步了吗？?............................................................................1557.18　立体的后期制作与输出?........................................................................1567.19　立体再次来袭！?...................................................................................1587.20　2D?转3D?.............................................................................................1597.21　制片工艺的进化?...................................................................................1597.22　展现未曾见过的世界?............................................................................160第八章　掌握与控制?.........................................................................?1618.1　谁会需要全自动？?.................................................................................1628.2　打倒自动曝光?........................................................................................1628.3　“中国姑娘”?........................................................................................1658.4　驾驭波形图?............................................................................................1668.5　考虑快门问题?........................................................................................1678.6　同步快门?................................................................................................1688.7　帧速率与故事的关系?..............................................................................1698.8　聚焦在重要的对象上?..............................................................................1708.9　这些人并不是演员?.................................................................................1708.10　分辨率越高对焦越难！?........................................................................1718.11　跟焦?.....................................................................................................1738.12　故事的白平衡?......................................................................................1748.13　到底用不用预置白平衡?........................................................................1748.14　设置手动白平衡?...................................................................................1768.15　不可理喻的自动白平衡?........................................................................1778.16　自动黑平衡?..........................................................................................1788.17　没有增益，就没有痛苦?........................................................................1798.18　控制好噪点?..........................................................................................1808.19　时码的沼泽地?......................................................................................1818.20　串行数字接口与高清晰度多媒体接口?..................................................1838.21　互连性与视频流?...................................................................................1848.22　监看你的工作?......................................................................................1858.23　更长时间的续航?...................................................................................1868.24　驾驭杂乱的取景器?...............................................................................1888.25　逐格摄影与延时摄影?............................................................................1898.26　神奇的预录制功能?...............................................................................1908.27　循环录制功能?......................................................................................1918.28　在环境下进行拍摄?........................................................................1918.29　拍摄狂热的生命和野生动物?.................................................................193第九章　调整拍摄的图像?...................................................................?1959.1　开始创建自己的画面风格?......................................................................1969.2　主消隐电平:?定义黑色?...........................................................................1979.3　标清的遗产?............................................................................................1989.4　了解你摄像机的动态范围?......................................................................1989.5　设置伽马值?............................................................................................1999.6　留意高光部分?........................................................................................2009.7　自动拐点?................................................................................................2009.8　控制色度?................................................................................................2019.9　色彩矩阵?................................................................................................2029.10　使用滤镜?..............................................................................................2039.11　物理滤镜?..............................................................................................2039.12　最后再考虑使用滤镜?............................................................................2049.13　为任务量身打造?...................................................................................2059.14　中密度滤镜（ND）?..............................................................................2059.15　偏光滤镜?..............................................................................................2069.16　天空的控制?..........................................................................................2079.17　高对比度的困惑?...................................................................................2089.18　柔光滤镜?..............................................................................................2099.19　CHRISTIAN?DIOR?来帮忙?....................................................................2129.20　遮光斗?.................................................................................................2129.21　如何叠加滤镜?......................................................................................2149.22　暖色滤镜?..............................................................................................2159.23　雾化滤镜?..............................................................................................2159.24　后期制作?..............................................................................................2159.25　根据需要选择后期插件?........................................................................2169.26　颜色校正?..............................................................................................2179.27　拍摄者要对自己负责！?........................................................................219第十章　照亮你的故事?......................................................................?22110.1　由小见大?..............................................................................................22210.2　拍摄者必须能独当一面?........................................................................22410.3　LED?照明时代已经来临?........................................................................22510.4　HMI?照明：昂贵但物有所值?................................................................22710.5　荧光灯和绿光瘟疫?...............................................................................22810.6　大范围柔光?..........................................................................................23010.7　使用软光是关键?...................................................................................23010.8　选择软光?..............................................................................................23110.9　控制溢光?..............................................................................................23210.10　柔光的艺术?........................................................................................23210.11　色纸?...................................................................................................23310.12　标准布光?............................................................................................23410.13　正面和中间照明?.................................................................................23510.14　用好辅助光?........................................................................................23510.15　机载照明灯?........................................................................................23610.16　分层照明?............................................................................................23710.17　给绿屏照明?........................................................................................23710.18　绿屏为什么是绿色？?..........................................................................23810.19　绿屏的替代品?....................................................................................24010.20　照明控制?............................................................................................24010.21　镂板?...................................................................................................24110.22　束光筒?...............................................................................................24210.23　固定工具?............................................................................................24310.24　胶带?...................................................................................................24310.25　百宝囊?...............................................................................................24410.26　照明=?手艺+?创意?............................................................................245第十一章　支撑起你的故事?...............................................................?24911.1　云台?.....................................................................................................25011.2　三脚架?.................................................................................................25311.3　其他摄像机支撑系统?............................................................................25511.4　安装在任何地方?...................................................................................26011.5　你拍故你在?..........................................................................................260第十二章　聆听你的故事?...................................................................26312.1　没有录音师？?......................................................................................26412.2　录音建议?..............................................................................................26412.3　差劲的连接=?差劲的声音?....................................................................26512.4　平衡音频?..............................................................................................26612.5　调音台?.................................................................................................26712.6　设置音频电平?......................................................................................26812.7　麦克风?.................................................................................................26912.8　枪式麦克风（指向式麦克风）?.............................................................26912.9　无线连接?..............................................................................................27012.10　话筒挑杆?............................................................................................27112.11　音频降噪?............................................................................................27212.12　双系统录音：有必要吗？?..................................................................27212.13　环绕声?...............................................................................................27312.14　有时候“凑合”也不错?......................................................................274第十三章　顺应潮流?.........................................................................27713.1　不再只有一种工作流程?........................................................................27813.2　MXF?的前景?.........................................................................................27913.3　元数据之美?..........................................................................................28013.4　现在我们不必那么担忧了?....................................................................28113.5　SSD?的出现?.........................................................................................28213.6　代理视频与iPhone?..............................................................................28313.7　输出你的故事?......................................................................................28413.8　DVD?的衰落?.........................................................................................28513.9　关注图像编码?......................................................................................28613.10　编码器的性格?....................................................................................28713.11　被诅咒的问题场景?.............................................................................28713.12　视频降噪势在必行?.............................................................................28813.13　了解编码模式?....................................................................................28913.14　BLU-RAY?蓝光，还有谁？?................................................................28913.15　来到云端?............................................................................................29013.16　归档的挑战?........................................................................................291后记　世上并没有“一键优化到”功能?..........................................?2931.?谨慎对待炒作?.............................................................................................2942.?拒绝复杂?....................................................................................................2953.?观影的未来?.................................................................................................2964.?变革已经到来?.............................................................................................2965.?这是个弱肉强食的世界?...............................................................................297

作者BARRY?BRAVERMAN是一位有着30多年电视纪录片和电影故事片拍摄经验的老牌摄影师。他的作品包括韦斯?安德森的《月升王国》（2012）、《穿越大吉岭》（2007）、国家地理频道的专题片、HBO“抢先看”和CBS星期天早新闻等。他同时也是好莱坞电影摄影师公会会员，并在世界各地举办2D和3D拍摄研讨会。他现在居住在美国加州斯蒂迪奥城。

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